Every now and then I get a chance to photograph someone with a very different type of job.
This is Chuck Wise with the family goat. As the caretaker of King Farm in Woodstock, Vermont
his job is to take care of about 150 acres of pristine forest as well as all the animals living
there - which happens to include four goats.
Sunday, July 4, 2010
Lest We Forget
Here's to the first heros of July 4th.
They started it all and gave us what we have today.
We are forever grateful.
They started it all and gave us what we have today.
We are forever grateful.
Monday, June 28, 2010
TeachersCount
Just completed an assignment with TeachersCount, an organization who's mission is to raise the status of the teaching profession. The campaign is a series of posters titled "Behind Every Famous Person is a Fabulous Teacher". The posters are distributed, free of charge, to teachers throughout the United States.
Their most recent poster was of Yankee center fielder Curtis Granderson and his college teacher/mentor David Koelher.
The shoot could not have gone more smoothly. Curtis was a little late, but that was okay with everyone on set. The U.S. World Cup team was playing and the studio had it on their tv. Seeing them come back from a 2-0 deficit to tie 2-2 was well worth the wait.
TeachersCount is proudly supported by Jones New York, Scholastic, The NEA and Staples.
There's always some fun that happens on photo shoots - or at least there should be.
While Curtis was quite coordinated in tossing the ball and catching it, David had some slight problems.
His instructions: toss and then catch the baseball while looking into the camera - it's not as easy as it sounds.
I love it when there's a lot of laughter on set.
Friday, June 25, 2010
Location Portraits
Here are some outtakes from a photo shoot earlier this week.
Actors David Gutnik and Antonia Gorence.
Actors David Gutnik and Antonia Gorence.
Tuesday, June 22, 2010
You Think This Is Funny...
Found this today on aphotoeditor.com and Were Just Saying.
And the comments to the post were amazing: "Actually, I am a photographer."
and "Even if I bought a Nikon D3S?" (I hope he/she was kidding).
My point is - for our profession to survive, we, as professional photographers need to evaluate why we are in this profession.
What does it really mean to be a photographer?
--Is it just to take a nice photo?
--Is it because we own some nice equipment?
--Is it because we have "sold" an image, or two?
--Is it because we have friends that think our pictures are "pretty"?
Do you really love photography? Do you dream about it? Smell it? Taste it? Live it?
Sorry, but I don't think that's enough. It's a start though.
Taking a Photo I course at a community college is a start - but doesn't make you a photographer.
Joining a local community photo group is great - but doesn't make you a photographer.
Putting your images on Flickr can get you exposure - but doesn't make you a photographer.
All of the above is a great beginning but it all needs to be coupled and supported by a strong understanding of how this business works.
Just because I can make toast doesn't mean I can cook! Though the way some think about this profession maybe I am. "I can click a shutter, therefore I am a photographer". Many really believe this.
--Learning about the business of photography - the concept of licensing, how to marketing, being a good negotiator, the ins and outs of networking...
--Having a style and a vision of what your images mean and how they relate to you target audience.
--Learning, dreaming, smelling, tasting and living this profession.
All this is a start. But there's more.
It's never been about just picking up a camera. It's about creating and following a pattern of behavior that enables us to live a life in which we have always dreamed.
And the comments to the post were amazing: "Actually, I am a photographer."
and "Even if I bought a Nikon D3S?" (I hope he/she was kidding).
My point is - for our profession to survive, we, as professional photographers need to evaluate why we are in this profession.
What does it really mean to be a photographer?
--Is it just to take a nice photo?
--Is it because we own some nice equipment?
--Is it because we have "sold" an image, or two?
--Is it because we have friends that think our pictures are "pretty"?
Do you really love photography? Do you dream about it? Smell it? Taste it? Live it?
Sorry, but I don't think that's enough. It's a start though.
Taking a Photo I course at a community college is a start - but doesn't make you a photographer.
Joining a local community photo group is great - but doesn't make you a photographer.
Putting your images on Flickr can get you exposure - but doesn't make you a photographer.
All of the above is a great beginning but it all needs to be coupled and supported by a strong understanding of how this business works.
Just because I can make toast doesn't mean I can cook! Though the way some think about this profession maybe I am. "I can click a shutter, therefore I am a photographer". Many really believe this.
--Learning about the business of photography - the concept of licensing, how to marketing, being a good negotiator, the ins and outs of networking...
--Having a style and a vision of what your images mean and how they relate to you target audience.
--Learning, dreaming, smelling, tasting and living this profession.
All this is a start. But there's more.
It's never been about just picking up a camera. It's about creating and following a pattern of behavior that enables us to live a life in which we have always dreamed.
Thursday, June 10, 2010
More Fashion
Here are some more images from my personal fashion shoot with Anna-Sophie.
Video was shown for the first time last night at the Release Party in New York City.
I'll have the web version ready next week and will post it here and on YouTube.
**I am starting a "Notes from NYC" section (see below) where I outline what's going on in the city during the week. Hopefully I can update it all on Monday, but there will be last minute posts letting everyone know of what's happening.
"Notes From NYC": A selection of events coming to NYC for the week of June 14
APA/NY's "Working with a Retoucher"
Monday June 14th from 6:30pm - 9:00pm
Calumet Photographic @ 22 W 22nd Street
Register here - http://www.apany.com/web/eventregistration.html
Festival Week - Presented by Le BOOK
Connections: Tuesday June 15 and Wednesday June 16 from 12 to 9pm
Productions: Thursday June 17 and Friday June 18 from 12 to 9pm.
Both at The Puck Building - 295 Lafayette Street (Corner of Houston St.) NY
RSVP at http://www.lebook.com/productions
Video was shown for the first time last night at the Release Party in New York City.
I'll have the web version ready next week and will post it here and on YouTube.
**I am starting a "Notes from NYC" section (see below) where I outline what's going on in the city during the week. Hopefully I can update it all on Monday, but there will be last minute posts letting everyone know of what's happening.
"Notes From NYC": A selection of events coming to NYC for the week of June 14
APA/NY's "Working with a Retoucher"
Monday June 14th from 6:30pm - 9:00pm
Calumet Photographic @ 22 W 22nd Street
Register here - http://www.apany.com/web/eventregistration.html
Festival Week - Presented by Le BOOK
Connections: Tuesday June 15 and Wednesday June 16 from 12 to 9pm
Productions: Thursday June 17 and Friday June 18 from 12 to 9pm.
Both at The Puck Building - 295 Lafayette Street (Corner of Houston St.) NY
RSVP at http://www.lebook.com/productions
Wednesday, June 2, 2010
To The End of Love
Coney Island - Where one can "dance to the end of love". What ever that means.
Got to love Coney Island. It is everything I thought it would be. A little tacky, lots of people (every type you could ever want to see) and very 'bad for you' food. Nathan's hot dogs taste just like a hot dog - nothing special. But when in Rome...
I found this scene in a "back alleys". I feel sorry for Miss Coney Island and the Alive Chimpanzee. No one was paying them any attention. I never found out what this group found so interesting.
The beach was huge, and empty. As well it should have been at 10:30 in the morning. The ones who got prime spots most likely were nursing a bad burn the next morning.
This is one place that I need to return. So many people, so many photo opportunities.
Monday, May 31, 2010
A Quick Diversion
On the subject of "What I would never want to be when I grow up"
No it's not the over-weight guy on the left or the girl in tight shorts on the right...
It's the guy who plays the "human target" in this game on Coney Island. For $3 you get five shots. Yes, it's only paint, but it's the thought that counts. And to be called a "freak" no less.
I didn't see what they made him wear (I'm assuming it was a he). I waited, but no one showed up to take a shot. I should have been the first. Hard to take photos and shoot at the same time though.
Please excuse the slight diversion...
No it's not the over-weight guy on the left or the girl in tight shorts on the right...
It's the guy who plays the "human target" in this game on Coney Island. For $3 you get five shots. Yes, it's only paint, but it's the thought that counts. And to be called a "freak" no less.
I didn't see what they made him wear (I'm assuming it was a he). I waited, but no one showed up to take a shot. I should have been the first. Hard to take photos and shoot at the same time though.
Please excuse the slight diversion...
Wednesday, May 26, 2010
Fashion in Central Park
1 Producer, 1 Stylist, 1 Hair/Makeup, Video Crew, 2 models and 5 Assistants - all making for a perfect Saturday. I've photographed in NYC many times in the past year, but this was the first "all New York" photo shoot.
Crew:
Producer: Lindsey Nicholson
Models: Anna-Sophie - Q Management / Chas Bruns - freelance model
Stylist: Tina Latonero
Hair/Makeup: Yuko Takahashi
Video: Mike Douglas - CuttingRoom
Assistants: Adele Godfrey, Len Mazzone, Kristine Wood, Miguel De Leon, Mike Howard
Tina, Lindsey and I have been working on this project for about seven months. Having gone through a few revisions, we finally settled on a multi-tiered project incorporating still photography and video. I didn't want to do the usual "behind-the-scene" footage - in my opinion that has been over done. So working with Mike from CuttingRoom we shot footage of Chas (playing a photographer) taking photographs of Anna-Sophie (playing a model). My photographs (below) are the photos he "took" during the shoot. The video will be finished in a week or so and I will post it here and on YouTube.
It was an amazing day - Great crew, fantastic weather (76 degrees and partly sunny) and a beautiful setting. Here are some of the images taken during the day.
Crew:
Producer: Lindsey Nicholson
Models: Anna-Sophie - Q Management / Chas Bruns - freelance model
Stylist: Tina Latonero
Hair/Makeup: Yuko Takahashi
Video: Mike Douglas - CuttingRoom
Assistants: Adele Godfrey, Len Mazzone, Kristine Wood, Miguel De Leon, Mike Howard
Tina, Lindsey and I have been working on this project for about seven months. Having gone through a few revisions, we finally settled on a multi-tiered project incorporating still photography and video. I didn't want to do the usual "behind-the-scene" footage - in my opinion that has been over done. So working with Mike from CuttingRoom we shot footage of Chas (playing a photographer) taking photographs of Anna-Sophie (playing a model). My photographs (below) are the photos he "took" during the shoot. The video will be finished in a week or so and I will post it here and on YouTube.
It was an amazing day - Great crew, fantastic weather (76 degrees and partly sunny) and a beautiful setting. Here are some of the images taken during the day.
Thursday, May 20, 2010
Shapes in Nature
I've always been drawn to the relationship between shapes and the environment and how they interact with, or relate to, each other. It amazes me how such diametrically opposed shapes can work so well together.
Here are some examples of what I mean.
The softness of the clouds seem to match the curves of the rolling hills while the contrasting rough shapes of the chopped wood add a bit of tension, breaking up the scene's uniformity. But it all seems to work. This is nothing new to photography. People have been composing images (paintings as well as photographs) like this for years. From what I've noticed in many photo annuals (CA, PDN) there is a new resurgence of this style - minimalism that incorporates contrasting shapes. It is actually everywhere, both in nature and man-made.
Here's another example.
Here are some examples of what I mean.
The softness of the clouds seem to match the curves of the rolling hills while the contrasting rough shapes of the chopped wood add a bit of tension, breaking up the scene's uniformity. But it all seems to work. This is nothing new to photography. People have been composing images (paintings as well as photographs) like this for years. From what I've noticed in many photo annuals (CA, PDN) there is a new resurgence of this style - minimalism that incorporates contrasting shapes. It is actually everywhere, both in nature and man-made.
Here's another example.
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